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2594X Winter Teasels – Jackie Morris
Mounted limited edition print on 315gsm 100% cotton rag paper With hand applied gold leaf.
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Image: 25cm x 25cm
Outside mount size: 43cm x 45.5cm
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2590X Slightly Foxed – Jackie Morris
Mounted limited edition print on 315gsm 100% cotton rag paper With hand applied gold leaf.
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Image: 25cm x 25cm
Outside mount size: 43cm x 45.5cm
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DH04 Crucifixion
Crucifixion by David Harrison
One of an edition of 45
Published by Churchgate Gallery, Porlock
© David Harrison 2017
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DH01 Moon Travellers
Moon Travellers by David Harrison
One of an edition of 45
Published by Churchgate Gallery, Porlock
© David Harrison 2017
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X1658 Arizona Cowboys by Buk Ulreich
Original lithograph from the ‘School Prints’ Series printed by the Baynard Press in the 1940s.
By Buk Ulreich
Conservation mounted and framed with UV protective glass to prevent fading
Image size: 75cm x 48cm
Outside frame size: 93cm x 67cm
Ulreich was born in Hungary, but his family emigrated the same year to America. He studied at the Kansas City Art Institute and the Pennsylvania Fine Arts Academy. A noted muralist, he produced work for the Chicago World Fair and for the Radio City Music Hall. He also worked as an illustrator and an interior designer for major public buildings. As an artist he seems to have drawn his subjects from the Wild West and in 1941 he illustrated a children's book on Navaho Indians. Arizona Cowboys seems typical of his work both in subject matter and in being in the decorative style of a muralist and interior designer.


X1656 Minnesota by Adolf Dehn
Original lithograph from the ‘School Prints’ Series printed by the Baynard Press in the 1940s.
By Adolf Dehn
Conservation mounted and framed with UV protective glass to prevent fading
Image size: 75cm x 48cm
Outside frame size: 93cm x 67cm
Dehn studied at the Minnesota School of Art (1914) and won a scholarship to the Art Students League in New York. In the twenties he drifted about Europe supporting himself through his lithography. He returned to America in 1929 and by the mid-thirties was drawing caricatures for New Yorker, Vogue etc. Parallel to this he was developing his lithography and became a leading American exponent of the medium. (1987, Jocelyn Lumadaine & Thomas O’Sullivan, The Prints of Adolf Dehn: A Catalogue Raisonné, Minnesota Historical Society.
